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Examples of modern determinations of culture |
heme of abs rac : PLA E RY 1.Reaso i g of Roy of Da drad 2.Reaso i g of М. Segall 3.Reaso i g of Rober Levi 4.Reaso i g of Harry riadic 5.Reaso i g of Michael Koul 6.Reaso i g of Gus avo Jagod 7.Reaso i g R. Roh er 8.Reaso i g of Ke Richardso 9.Reaso i g of De yse Je ki s 10.Reaso i g of Jerome Barkow 11.Reaso i g of Sara Harki ’s 12.Reaso i g of Elisabe h homso 13.Reaso i g of Rober aylor 14.Reaso i g of Peggy Miller 15.Reaso i g of Alexa dra Jeffry 16.Reaso i g of Pier Rabardel 17.Reaso i g of Howard Harde er LIS OF LI ERA URE E RY Co se i wha cul ure i was o a d i is o ill oday. A deeper co sidera io of ques io a ye grea er varie y is revealed o ly. Model i ha behalf i is possible o cou he book of Kreber a d Klackho «Cul ure: cri ical review of co cep io s a d de ermi a io s». Co sideri g more ha 150 de ermi a io s of cul ure, au hors a alyzed he grea umber of differe ways of co cep io s of his erm. I fi al a alysis hey came o ex de ermi a io : &quo ;Cul ure co sis s of implici models of co duc , acquired a d ra sferrable by mea s of symbols, maki g dis i c ive achieveme of huma groups, i cludi g hem embodime i embodime s; he core of cul ure co sis s of radi io al ideas a d, especially, from he valued values added o hem; sys em cul ures ca be exami ed, from o e side, as deriva ives from ac ivi y, a d from o her - as eleme s, s ipula i g fur her ac ivi y&quo ; Bu &quo ; oday o ly o ma y from moder a hropologis s allude o his de ermi a io . I we ou from a fashio , as i seems o oo wide (a d ha is why, probably, oo u comfor able), used i research aims&quo ;. he k ow cul ural researcher Harry ria is wri es: «Cul ure is o e of hose de ermi a io s which always are i work of social researchers, bu which are de ermi ed by such amou of differe ways, ha a co se sus is o foresee » he same posi io remai s o da e. &quo ;O e co cep io which prevails i a moder social idea is co cep io of cul ure. Cul ural a hropologis s a d sociologis s agree o he whole, ha a huma cul ure is acquired by a ma as member of socie y a d she widely ra sforms by mea s of symbolism of la guage. However here is a co se i ha , how o de ermi e a cul ure a d wha fu c io s o add&quo ; her. I he classic review of de ermi a io s of cul ure of Kreber a d Klackho cul ures, mee i g i a hropological li era ure, dis i guish five classes of de ermi a io s: 1. Descrip ive de ermi a io s, whe aim o describe every hi g or some aspec s of huma life a d ac ivi y. 2. His orical de ermi a io s which do a acce o radi io of he pas s. 3. orma ive de ermi a io s do a acce o rules which ma age ac ivi y of group of people. I a differe ce from descrip ive a d his orical defi i io s which imply obvious expressio of cul ural life, orma ive de ermi a io s require, ha we scru i ized i ha ac ivi y which we ca look af er a d made a effor ope , ha s a ds af er her. 4. Psychological de ermi a io s u derli e mul iplici y of psychological aspec s, i cludi g such co cep s as adap a io , permissio of problems, eachi g, habi s. For example, a cul ure allows a group o adap o he perma e (repe i ive) problems, a cul ure is lear ed a d he resul of i eachi g is es ablishme i his group of cer ai habi s.
his de ermi a io is more wide a d i cludes o implici (for example, adap a io ) a d looked (af er for example, habi s) are he cul ural phe ome a. 5. S ruc ural de ermi a io s u derli e a model or orga iza io of cul ure. his look is rela ed o he firs (descrip ive) ca egory i ha does a acce o i egri y, o ali y of pic ure. Moder cul ural researchers add o a o her his lis , six h poi : &quo ;S ruc ural de ermi a io s are required from us, ha we gla ced for he visible cul ural phe ome a, o ope as a cul ure is arra ged. A cul ure is o he lis of cus oms, a d is a compu er-i egra ed model of associa e li es. Ge e ic de ermi a io s u derli e a source or ge esis of cul ure. hus a cul ure co sis s of adap a io , social co-opera io a d crea ive process, which is dis i c ive descrip io of huma family&quo ;. However i he moder heories of cul ure of such poi s cou ed co siderably a ymore. We will co sider a few separa e, bu au hori a ive oday u era ces or reaso i g abou he co cep of &quo ;cul ure&quo ;. 1.Reaso i g of Roy of Da drad «O e of he oldes ermi ology dispu es i a hropology is a dispu e abou a erm «cul ure». Some problems, seems, a d caused by a circums a ce ha his erm has wo se ses: cul ure as process ( ha is passed, o be s udied by subseque ge era io s) a d cul ure as he special class of he phe ome a (id es he orga ized cog i io ). I is possible o hi k ha hese wo aspec s of erm ca coexis , if a process u der akes for de ermi a io of mai e a ce. I such de ermi a io a cul ure here will be all ha is passed o he subseque ge era io s hrough a s udy. Difficul y i his de ermi a io co sis s of ha ma y hi gs are passed a d o all heir a hropologis s wish o exami e as a cul ure. For example, Adipow a complex is rai ed a d widely widespread, bu his mos a hropologis s usually do o exami e him as a cul ure, so his complex is i direc , u i e io al, u realized i ves iga io of eachi g o o her hi gs. he seco d s ra egy is de ermi a io of cul ure as ideas of he special mai e a ce. Problem wi h his de ermi a io i ha differe bir hs of mai e a ce are - wha from hem o co sider a cul ure». «Prese ly here are hree basic looks o a ure of cul ure. Firs is de ermi a io of cul ure as cog i io s, as accumula io s of i forma io . Accordi g o his look, a cul ure accumula es a d does o eed ha , o be divided, if dis ribu io of cog i io is such, ha he ow i corpora ed cog i io is suppor ed. I forma io co e i he cul ural pool of cog i io is very grea - eve i simple socie ies. Accordi g o his look, a cul ure is o highly compu er-i egra ed, cog i io s abou ha , how o rea ill esses u co ec ed wi h cog i io ecessary for buildi g of house. Accordi g o he seco d look - a cul ure co sis s of co cep ual s ruc ures which crea e ce ral reali y of people, so ha he &quo ;lives i he ha world which imagi es o i self» or accordi g o de ermi a io of Sh eydor, a cul ure co sis s of «eleme s which are cer ai a d разделяемы i co cre e socie y as prese i g reali y - o simply social reali y, a d i egral reali y of life i which huma crea ures live a d opera e». Accordi g o his approach, a cul ure is o simply divided, she subjec ively is divided, so ha everybody supposes ha o her see he same hi gs which he sees.
I his approach a cul ure is o especially accumula ed, o more, ha grammar is accumula ed. he hird look o a ure of cul ure s a ds be wee posi io s &quo ;cul ure as cog i io &quo ; a d &quo ;cul ure as he co s ruc ed reali y&quo ;. his approach i erpre s a cul ure a d socie y almos as co soli g reali ies, some hi g, co sis i g of i s i u es, such as family, marke , eco omy, church, he cou ry e c., id es sys ems of orms, qualifica ory roles, rela ed o differe s a uses. For eydla, for example, a accumula io akes place, bu rela ively poorly; he volume of i forma io which mus be rai ed is very wide, he degree of i egra io is impor a , bu problema ic. Dis i c io be wee hese looks co sis s of acce i g of differe fu c io s of values : direc ive fu c io for approach ce ered o &quo ;cog i io &quo ;, po e ial of he sys ems of values for approach ca ered o &quo ;co s ruc i g of reali y&quo ;. Al hough here is differe ia io be wee symbols a d values - some seem foremos prese i g, some - foremos by a direc ive, some - foremos co s ruc i g reali y. hese dis i c io s are i dis i c a d a imes exis o ly i co cep ual scopes. 2.Reaso i g of М. Segall I obedie ce o Segall, a cul ure is he fac or of high order, which ca o have s a us of i depe de varia io ; he is oo difficul , o measure him. Ra her a cul ure mus be divided i o separa e co ex ual fac ors. hey i clude social i s i u es, such as school, la guage, gover ed, qualifica ory i erperso ally rela io s, fea ures of physical surrou di gs. Ge eral for cul ural researchers is ha ha hey push off from impor a dis i c io s i a co duc a d aim o fi d precedi g dis i c io s which ca explai hese dis i c io s. We mus fi d he phe ome a which are impor a a d i eres i g a d o ly he o search expla a io o hem. Look o he cul ure as o he k o of erms has wo i ves iga io s. he firs co sis s of ha de ermi a io of cul ure is o more, ha ge eral label a d ca o have s a us of heore ical co cep io . alked o abou a cul ure o he whole, a d o ly abou specific varia io s which explai specific cul ural dis i c io s. he seco d i ves iga io co sis s of ha psychological laws a d co cep io s o de ermi a io mus be u iversal. If cer ai heore ical s a eme s have warra s i o e cul ure, bu does o have i o her, hese s a eme s are false a d a heory mus be rejec ed. I his approach a acce is do e o cul ural rela io s i heir differe aspec s i o a group. A cul ure appears as he orga ized u i . he s udy of he isola ed varia io s, ake from a i egral complex by he represe a ives of his direc io , is exami ed as very doub ful prac ice. A cul ure is perceived as a sys em, i which a cul ural co ex is i separable from a ha me hod which psychological li es a d fu c io s are orga ized. he sys ems as such ca o be compared, compared here ca be o ly par s a d proper ies of he sys ems. Gus avo Jagod preferred goi g ear a cul ure as o he sys em, bu asser ed ha cul ural psychology did o have a me hod o ra sform his co cep io of cul ure so ha she was sui able for empiric researches. We also co sider so. ill o defi e he objec of cul ural researches, we mus decide, wha from de ermi a io s of cul ure more accep able o us.
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