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Critical Review of Daniel Sprick’s “Release Your Plans” |
Брелок LED "Лампочка" классическая. 
Ночник-проектор "Звездное небо, планеты", черный. Da iel Sprick’s “Release Your Pla s”Cri ical ReviewI am a alyzi g Da iel Sprick’s “Release Your Pla s” pai i g, which is loca ed i De ver Ar musuem’s seve h floor. he pai i g was pai ed i 2001, a d i is a o -objec ive pai i g wi h oil o pa el pai i g. By looki g a his pai i g, o e ca be a li le frus ra ed. he pai i g crea es some sor of co fusio . I is hard o focus o o e small par of he pai i g because here are hi gs goi g o all over he ca vas. he pai i g is a pai i g of some ar is ’s s udio, because you ca see a easel, a d some pai . O ar is ’s easel, here is a broke glass of beer, a oma o soup called “your pla s”, a skull wi h pi s i i s eyes, a egg shell o a k ife, a d some dead cockroaches. here is a mirror i fro of he easel ha reflec s he ou side of he room, which is a lo more pre ier ha ar is ’s s udio. he mirror is s a di g o he s a d, a d here are some broke ca dle holders wi h figures of a gels. Behi d he mirror, here is a o e a ached o he wall ha says some hi g like “des i y a d pla s.” O he righ of he easel, here is rose ha is ied dow , a d ki d of curved, a d his rose is ied o a easel, a d easel is ied o he mirror, so as if o of hese objec s fall dow he res wo will fall dow oo. here are roses i he air o a ached o a y hi g. he floor is dir y, a d full of cigere e bu ss, o he cor er of he pai i g here is a leg bo e of a huma , a d somewhere o he righ low cor er here is a objec lif off he grou d, s a di g o i s ow . Every hi g i his pic ure looks i i s a ural form, bu o i heir a ural e viro me . Roses i he air o a ached o a y hi g, or skull o easel wi h pi s i i s eyes are some of he hi gs ha s rikes me mos abou his pic ure. here are ’ a y ex raordi ary mix ure of colors. Every hi g looks i i s a ural color. he whole pic ure depic es life of people. By seei g all hese differe objec , we ca associa e hem wi h our everyday life de ails. If he pai i g is looked i ge eral, he we could see every perso s life i here. Every objec is placed i order o crea e a perfec bala ce i he pic ure. his is a 3 dime sio al pai i g, a d he achieved his by usi g li ear perspec ive. I hi k ar is is ryi g o co vey i his pai i g how life ca ge messed up some imes, i his pai i g you ca see a lo hi gs goi g o , a d we could rela e ha o our life. Roses could be bes represe a io s of good hi gs ha happe i our life, a d o her broke glasses, a d cigare e bu s, or skull could be a represe io s of bad hi gs ha happe i our life. Ar is was able o co vey his complica ed messege abou life hrough simply drawi g of simple objec s. Eve hough every objec seems o be objec s we see everyday, he messege hey co very is comple ely differe .
We must take no chances (мы не должны рисковать)." singularly ['sINgjUl@lI], transparently [tr&ns'pE@r@nt], request [rI'kwest] "I find you, Hastings, singularly though transparently honest! All along you had made up your mind to spend the day with your blonde angel!" "Oh, really, Poirot!" "I am sorry to upset your plans, but I must request you to give your escort elsewhere." "Oh, all right. I think you've got a weakness for that Dutch doll of a girl." "The person you are to escort is Mary Drower and I must request you not to leave her." "But, Poirot, why?" "Because, my dear friend, her name begins with a D. We must take no chances." I saw the justice of his remark (я понял справедливость его замечания). At first it seemed far-fetched (сначала оно показалось надуманным; far-fetched привезенный издалека; натянутый, неестественный). But then I realized (но затем я понял) that if A.B.C. had a fanatical hatred of Poirot (что если у Эй-би-си была фанатическая ненависть к Пуаро), he might very well be keeping himself informed of Poirot's movements (он, вполне вероятно, держит себя в курсе передвижений Пуаро)
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Совок большой. 
